Due to unexpected Visa issues, CPT’s upcoming presentation of The Visual Theatre of Emanuella Amichai’s production The Neighbor’s Grief is Greener must be postponed. We are extremely disappointed by the situation and regret any disappointment or inconvenience this may cause to our audience and media colleagues.

Along with our partners at the Jewish Federation of Cleveland, CPT is working to seek out an alternative date for this production, with hopes that we may present this work at a later point in our 14/15 season. Our partners at the JFC, along with Emanuella Amichai and her company of artists, are hopeful that this can happen and, despite this unexpected turn, we continue to feel strongly about the artistic importance of the work and the potential impact the performance will have on Cleveland audiences. 

Best,
Cathleen O’Malley
Director of Audience Engagement & Media Relations
Cleveland Public Theatre
(216) 631-2727 x 212

Click Here to view a video celebrating our Education Associate, Faye Hargate

Faye is a 2014 Creative Workforce Fellow for Theatre. The Creative Workforce Fellowship is a program of the Community Partnership for Arts and Culture. The Fellowship program is supported by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture. 

In that very church where the video was recorded, there is now an expansive, rich, and hauntingly beautiful performance art installation created by Faye and her mother, visual artist, Joan Hargate. She’s Wearing White… is unlike anything that’s being done in Cleveland right now. And our Faye Hargate is unlike anyone else; original work creator and devisor, performer, teaching artist, visual artist and incredible friend. We are lucky to have Faye call CPT her artistic home. Read More ›

Samuel Fisher’s original compositions are an integral part of our Season Opening Production, Spirits to Enforce

“I am immensely grateful and excited to be CPT’s 2013-2014 Kulas Composer Fellow. Working on The Drowning Girls during my 2013 fellowship at CPT provoked in me the idea that the musical score and environmental soundscape of a play can exist as a singular entangled unit. This approach emphasizes the musicality and affect of so-called “non-musical” sounds and the connection of “musical” sounds to the tangible phenomena of one’s existence. My score for Spirits to Enforce is some of my proudest work and is an implementation of these ideas that, in my view, successfully deepens the connection between actor and observer. I’m looking forward to a challenging and enjoyable year.” – Sam Fisher, 14/15 Kulas Theatre Composer Read More ›