Author Archives: cptonline

CLEVELAND PUBLIC THEATRE IS HIRING A TEACHING ARTIST AND SITE COORDINATOR FOR CAN ACADEMY

Cleveland Public Theatre is hiring a Teaching Artist and Site Coordinator for the Cleveland Act Now Academy (CAN Academy) program to continue to serve Cleveland Public Theatre’s mission to raise consciousness and nurture compassion through life-changing education programs.

Review of candidates will begin immediately. To apply for the position, send an email to Nicole Sumlin, Director of Education, at nsumlin@cptonline.org by end of day October 4, 2023. Subject line should read: YOUR LAST NAME, Teaching Artist and Site Coordinator, CAN Academy. Your email should include two attachments: a resume and a cover letter giving examples of work that illustrate the experience required in the description and explaining why you are interested in this position. No phone calls, please. Read More ›

TEST FLIGHT 2024 | REVAMPED

Deadline for submissions is Friday, October 6th, 2023 

 

Forget everything you know about Test Flight! Okay, maybe not everything… but the process will look quite different this year. We’re piloting a new approach to this program based on feedback from playwrights in our community. We want to create an even more creative space that allows for supported risk from the artists involved. This version of Test Flight is perfect for those who want to learn how to self-produce their work; but don’t worry, the things you love about Test Flight will still be there! It will still be a great space to workshop new projects. The projects chosen will still get 1 week (split rehearsal time and performances) in the James Levin Theatre, and things will feel the same for our devoted audiences.  

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CLEVELAND PUBLIC THEATRE IS HIRING HOUSE MANAGERS

Cleveland Public Theatre (CPT) is hiring House Managers, key members of Front of House (FOH) staff who will make critical contributions to the CPT Patron Experience. This is a part-time, seasonal position from September to May, with options to renew employment the following year during the same timeframe based on performance. 

Hours depend on production schedules but will typically involve Thursday-Saturday and Monday evenings for approximately 4-6 hours per night. Sunday afternoon and Wednesday evening shifts also occur on occasion. FOH staff are also expected to work special events outside of the general season (Pandemonium, Station Hope, event rentals, etc.). 

Pay is $15.00/hour. Anticipated start date is September 22nd, 2023.   

Review of candidates will begin immediately. To apply for the position, send an email to jjohnson@cptonline.org. Subject line should read: [LAST NAME], [FIRST NAME] – HOUSE MANAGER. Your email should include two attachments: a resume and a one-page cover letter giving examples of your related experiences and explaining why you are interested in this position. No phone calls, please. 

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CLEVELAND PUBLIC THEATRE IS HIRING FRONT OF HOUSE STAFF

Cleveland Public Theatre (CPT) is hiring Front of House (FOH) staff, key members of the CPT team who will make meaningful contributions to the CPT Patron Experience. This is a part-time, seasonal position from September to May, with options to renew employment the following year during the same timeframe based on performance. 

Hours depend on production schedules but will typically involve Thursday-Saturday and Monday evenings for approximately 3-6 hours per night. Sunday afternoon and Wednesday evening shifts also occur on occasion. FOH staff are also expected to work special events outside of the general season (Pandemonium, Station Hope, event rentals, etc.). 

Pay is $15.00/hour, untipped. Anticipated start date is September 4th, 2023.    Read More ›

Cleveland Public Theatre announces Auditions for FUNNY, LIKE AN ABORTION 

By Rachel Bublitz 

Directed by Paige Conway 


 Looking to cast the following roles…  

  • Monroe: she/her, mid-twenties, any race. Makes bad jokes. Like, really bad. Can juggle quite well, actually. 
  • Jade: she/her, close in age to Monroe, any race. Has legitimate concerns and distress over how to actually help her friend.  

We are open to seeing both AEA and non-AEA actors for these auditions. 

 About The Play…  

Monroe is planning a surprise party for her bestie Jade complete with decorations, chocolate cupcakes, puns and 20 giftbags full of surprises.  However, the biggest surprise is that she’s planning to give herself a home-concocted abortion. Set in a future America where even saying the word “abortion” is a crime, this play is about loyalty, friendship, and the value of life. A National New Play Network Rolling World Premiere. Funny, Like An Abortion was originally developed with PlayGround’s 25th and 26th Festival of New Works with Jim Kleinmann as Artistic Director.

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Cleveland Public Theatre is Hiring a Finance Manager

Cleveland Public Theatre (CPT) is hiring a Finance Manager which is a core part of the CPT staff and will make a meaningful contribution to life at CPT and its success. To apply for the position, send an email to Denis M. Griesmer, General Manager/Director of Finance at careers@cptonline.org by end of day Friday, August 11th. Subject line should read: [LAST NAME], Finance Manager. The email should include two attachments: a resume and a two-page cover letter describing why you are interested in this position, what you have to offer and why you would want to work at Cleveland Public Theatre. Candidates may be asked to provide additional materials after original application. 

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Cleveland Public Theatre’s “Making Waves” In Their 2023/2024 Season

Cleveland Public Theatre’s (CPT) Executive Artistic Director Raymond Bobgan is proud to announce the 2023/2024 Season “Making Waves.”

“From the gorgeous poetry of Jaiie Dayo Aliya’s Our Lady of Common Sorrows to Rachel Bublitz’s raucous humor with a heart-wrenching core in Funny, Like an Abortion, from the highly anticipated U.S.A.  premiere of legendary Israeli playwright Hanoch Levin’s world classic Requiem, to Tania Benites’ thriller Alter, to the daring, universal stories from the cast of Masrah Cleveland Al Arabi. This season is about making waves to incite ripples across our communities―getting out and living life, embracing our authentic selves, and asking ourselves and each other to level up. I can’t wait to be there with Cleveland to laugh a lot, cry, wonder, and sit in that moment of silence when we know we have just witnessed something truly profound and remarkable.” ― Raymond Bobgan, executive artistic director

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CPT’s Raymond Bobgan and Holly Holsinger Presenting in South Korea

In June, Cleveland Public Theatre (CPT) Executive Artistic Director Raymond Bobgan and longtime CPT artist Holly Holsinger, Cleveland State University’s theatre and dance department chair, went to South Korea at the invitation of Global Women’s Performing Arts Festival (GWPAF). This trip, facilitated by acclaimed international lighting designer and professor Jakyung Seo of Kent State University, had several goals: 

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Cleveland Public Theatre announces Auditions for the World Premiere of Our Lady of Common Sorrows

Written & Directed by: Jaiie Dayo-Aliya  

Looking to cast the following roles…

Aramis: A charismatic young black man in his twenties, exuding a contemporary urban vibe. With a smooth demeanor and a quick wit, he captivates others. Aramis is a cunning trickster, skillfully navigating life’s challenges with a mischievous charm that is both delightful and dangerous.

George: An aging man in his sixties, George carries a sense of wisdom and vulnerability. Time has weakened him physically, but he remains emotionally resilient. Despite his struggles, there is a lingering aura of past strength. George battles his demons with alcohol, finding solace and inspiration within its depths. He possesses the soul of a tormented poet.

Disclosure: Some roles in the production have been cast. The current cast includes: Cristal Christian, Ashley Aquilla, Kynnedy Stewart, LaShawn Little, Amy Spencer, & Isaiah Bett.  

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CPT’s Raymond Bobgan and Holly Holsinger Presenting in South Korea

Cleveland Public Theatre (CPT) Executive Artistic Director Raymond Bobgan and longtime CPT artist Holly Holsinger, Cleveland State University’s theatre and dance department chair, will be representing the theater at the Global Women’s Performing Arts Festival in Busan, South Korea (GWPAF) this summer. The event is being facilitated by acclaimed international lighting designer and professor Jakyung Seo of Kent State University. The annual festival seeks to engage actors in a creative process to provoke conversations of equity and social justice.

Furthering Cleveland Public Theatre’s mission to raise consciousness and nurture compassion through groundbreaking performances and life-changing education programs, Raymond and Holly will be leading a workshop and discussion entitled “Finding and Sharing Voice in Action,” which utilizes physical and ensemble theatre techniques to share stories of healing and empowerment.

Finding our voice begins in the body using our creative performance skills to embody trauma, defeats, and triumphs. Seeking stories from our past, our ancestors, and our own imagination, this workshop focuses on using acting exercises of physicality, vocal expression, and creative dramatics to develop performances of power and poetry. Centering women’s empowerment, participants will create individual and collective scenes and actions to be presented in a culminating sharing of work. Participants will learn new approaches to performance creation and acting while deepening their personal creative practice. Participants will also leave with the foundational elements to create their own performances.” ―Raymond Bobgan

This workshop is being undertaken in tandem with discussions of important developments in the international theatre field which are advancing new artistic practices to make powerful art through strong rehearsal processes that are nurturing, safe and free of harassment and trauma. These creatively super-charged practices align with social justice.

Festival Director Hyeja Ju envisioned this project based on her experience of Cleveland Public Theatre in 2019 and Raymond’s subsequent visit last year that included a workshop for actors.

“I was deeply moved by the work of CPT and wanted to share this inspiration with my own community! Last year, we invited Raymond to share the CPT story of utilizing theatre to engage communities and to share the work CPT has done of championing women playwrights and directors. This year we are taking this work further. I believe that the work of Raymond, Holly and Jakyung will make a lasting impact on the Busan theatre scene and support our work in transforming our practices to be more inclusive, nurturing, and safe.” –Hyeja Ju, GWPAF director

Adding to this significant cultural exchange, Holly will also be working with director/creator Hyeja Ju on a new iteration of her production of My Dear, Helen, a cross cultural story based on the autobiographical writings of Helen Keller.

“When I saw Frankenstein’s Wake on video and later as a live zoom production, I was deeply impressed by Holly’s unique stage presence. Her command over voice, body, and spirit is remarkable. I am thrilled she will be joining this multi-cultural cast and thrilled that Cleveland will be represented on our stage!” –Hyeja Ju, GWPAF director

“This is a learning journey. We come with great experience in experimentation and supporting the creativity of performers. We know we have much to share, but more importantly we know we will be changed by this journey and will bring that impact back to our community.” ―Holly Holsinger

The Global Women’s Performing Arts Festival led by Korean artists Hyeja Ju and Jisook Lee was formed as a place to celebrate women in theatre and dance, and to address systemic misogyny in the arts and throughout the world. Formed in 2020 the festival has roots in virtual performance, and upon its success, expanded to combine virtual and live performances in 2021. Last year’s participants were able to stream CPT’s 2022 National New Play Network Rolling World Premiere of playwright/director India Nicole Burton’s critically acclaimed Panther Women: An Army for the Liberation.

“Now that there is an issue over gender equality mixed with hatred, exclusion, and disparagement both inside and outside the country, we must fulfill the tolerance of art more than ever for a world that recognizes difference, not discrimination. Until the day when we can share, empathize, and understand each other’s different perspectives, GWPAF will gather voices and movements from all over the world to open a stage that changes the world.” ―Jakyung Seo

Over the course of ten days this team will engage in a theatre workshop that includes public sharing, a broadscale community workshop, and various lectures and panels.

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