Cleveland Public Theatre (CPT) is hiring a Technical Intern for our nationally recognized Student Theatre Enrichment Program (STEP). This is a temporary full-time position. Position begins July 5, 2023 and no later than August 11, 2023. Salary range is $500-600/week based on experience and range of skills.
Cleveland Public Theatre requests proposals for Station Hope 2023
Deadline for submissions is Monday, March 20
Cleveland Public Theatre is planning the tenth annual STATION HOPE, a one-night event of entertainment and art inspired by the history of St. John’s Episcopal Church and the Underground Railroad, the repercussions of oppression and contemporary struggles for social justice on Saturday, May 27th, 2023.
To make the best proposal possible for Station Hope, we recommend that interested artists and organizations attend the Station Hope Informational Meeting on Saturday, March 4th via Zoom, from 11am-12:30pm. At this meeting we will discuss the history of Station Hope, how the event works and review the application process.
The meeting is open to anyone considering a proposal for Station Hope, but you must RSVP. Please RSVP by emailing Associate Producer Paige Conway at pconway@cptonline.org.
Cleveland Public Theatre Welcomes Joshua Smith!
Cleveland Public Theatre’s (CPT) Executive Artistic Director Raymond Bobgan is proud to welcome Joshua Smith as the new Technical Director. “His vast expertise, precision, and creativity make him a great candidate for any theatre. His level-headedness, leadership, and kindness make him an especially good fit for CPT.”
-Raymond Bobgan
CLEVELAND PUBLIC THEATRE ANNOUNCES PART TWO OF THE INCREMENTAL AND MONUMENTAL 2022/2023 SEASON
Cleveland Public Theatre’s (CPT) Executive Artistic Director Raymond Bobgan is proud to announce the highly anticipated second part of the Incremental & Monumental 2022/2023 season which delivers on CPT’s mission of raising consciousness and nurturing compassion through theatre that is daring, relevant, and socially conscious.
As explained by Mr. Bobgan, “Though we will be announcing this season incrementally, our choices will not be timid, and the artists we are working with have important things to express. In spite of what we hear, we believe that work of artists…grassroots stuff, that is local, that is new, that is real―is monumental. That is what we aspire to.”
HOUSE MANAGEMENT POSITIONS AT CLEVELAND PUBLIC THEATRE
Cleveland Public Theatre (CPT) is currently looking for House Managers for the 2022/2023 season. This role is responsible for ensuring the best experience for all patrons and providing accurate records to CPT staff. Candidates must be outgoing, detail-oriented problem solvers who can work calmly under pressure.
Bartender Positions at Cleveland Public Theatre
Cleveland Public Theatre is looking for Bartenders to join its Front of House Team for the 2022-2023 season. CPT Bartenders are passionate about the arts, Cleveland, and positive change in their community. Beyond selling beverages and refreshments, our Bartenders are expected to be knowledgeable about Cleveland Public Theatre, our performances and programs, and the Gordon Square Arts District. Bartending, serving and customer service experience are preferred.
MEET THE AMAZING JAIME BOUVIER OF CROOKED RIVER CIRCUS & SCHOOL
“Crooked River Circus is really about the fact that a lot of us found the circus through a crooked river—we weren’t trained that way, it was not a straight path for us, some of us started late in life, and we celebrate that.” ―Jaime Bouvier
As performances of How the Circus Stole Christmas: A Circus Holiday Extravaganza! start in a couple of weeks, we thought you might want to meet one of the show’s Co-Creators and Director Jaime Bouvier (pronounced like zhĕm bōō-vee-ay) of Crooked River Circus & School.
Let’s get this out of the way―she may or may not be related to Jacqueline Bouvier Kennedy Onassis. The legend has it, her dad on a whim and not knowing whether, or not, they were related wrote Jackie for money―he never heard back. She has French Quebec (Quebecois) ancestry, hence the French name, and grew up in Iowa where she attended the University of Iowa before moving to Cleveland in the 1990s. Shortly after moving to Cleveland, she started working with some small theater companies; and while she loved theatre, she realized that she wanted to make more money so that she could financially support a family, so she enrolled in law school.
It wasn’t until the late 2010s nearing the age of 40 that she made the transition into circus school. While studying yoga at The Studio Cleveland, she became friends with a trapeze artist who was a few years older than her, which inspired her to take an aerial silks class. “It was important for me to pursue something I wasn’t good at, which is something I would not allow myself to do when I was younger. I did it for the sake of enjoying it instead of trying to be the best.”
Before long, her group began receiving requests to perform and the turning point came in 2015 when she went to a month-long professional training program in Vermont to take a deep-dive into lyra. While in her 40s, she was performing and holding her own with 18-and 19-year-olds. Also, around this time, she started mixing theatre with circus which is “something rare in theater as they are very different skills. Circus is more like dance than theater. Circus artists rarely speak. I wanted to bring voice and character to Circus. These are skills I can translate even if I can’t do the most intense acrobatic feats.” She slowly added more apparatus like trapeze, straps, and partner acrobatics; and continued to study at prestigious circus schools abroad while supporting her circus training as a law professor which gave her summers off.
Jaime, who turned 50 this year, is a strong advocate of the health benefits of circus, especially the community aspect of it. “I am not great at just working out for the sake of working out. But if I am meeting up with friends, trying to achieve a new skill, or even better, trying to achieve a new partner skill with a friend, I am much more motivated to eat well and exercise.”
Crooked River Circus is also a school; thus, many of the performers that have been a part of it have gone on to have careers in other cities, many of which will be featured in How the Circus Stole Christmas: A Circus Holiday Extravaganza! While many people equate the circus to kids, the school is actually for adults. “We often think play is for kids and I reject that. I think adults need play that they don’t often have. Part of the joy of the circus is that it’s not about what we look like, but what we are able to do. I would recommend this to people of any age, as it’s not terribly hard on the joints. It’s more accessible than you think. “
When asked to describe How the Circus Stole Christmas: A Circus Holiday Extravaganza!, Jaime had this to say: “Scrooge’s great grandnephew is sick of Christmas and summons the Ghost of Christmas Presents. She whisks him away to the North Pole to restore his Christmas spirit. But when they get there, they find that the elves are on strike, the reindeer won’t pull his sleigh, the misfit toys are staging a revolution, and Mrs. Clause is divorcing Santa. Alien frogs are also lurking about. And the lovebirds from The Gifts of the Magi wander in and out, underdressed for the North Pole weather. The audience will get to participate in a competition to determine what group will win: the elves, reindeer, misfit toys, or alien frogs. And the audience also gets to participate in a big song and dance number at the end. The production features 30+ performers, with many of whom are members of the Cleveland circus “diaspora.” “It’s family-friendly, kid-friendly, but not a kid-show.” The show is recommended for ages 5+.
How the Circus Stole Christmas: A Circus Holiday Extravaganza! runs December 1-10, 2022. Tickets can be purchased at cptonline.org. All tickets are Choose What You Pay and start at $1.