Test Flight Part 2 – Week 3: Future Never Land
By Josiah Britt
Directed & produced by Jimmie Woody
June 05, 2025 - June 07, 2025
7pm, Thu/Fri/Sat, James Levin Theatre
Future Never Land is a historical sci-fi rap opera paired with famous classical music compositions by Saint-Saens & Debussy. It follows the serendipitous journey of two ordinary citizens as they discover a secret society of Cleveland luminaries fighting against evil forces that plague the past, present and future.
The James Levin Theatre is ADA-compliant featuring a patron elevator and an all-gender, wheelchair-accessible restroom.
ENHANCE YOUR EXPERIENCE
Free Bev Friday – Every Friday night at CPT is Free Bev Friday. Free beer, wine, ready-to-drink cocktails and soft drinks are served after the performance for about an hour. Join the staff and artists of CPT, talk about the show, and have a drink on us. And remember, hot beverages like coffee and tea are always complimentary at CPT performances. (Please note: While liquor used in mixed drinks will not be complimentary, the mixer will be discounted from your total.)
about the playwright
Josiah Britt is a lyricist, arts educator & social entrepreneur from Cleveland, Ohio, who prides himself on expression, innovation and community engagement. Through his 501(c)3 nonprofit CollectivExpress, he has facilitated and performed in hundreds of performance arts programs across greater Cleveland communities.
about the director & Producer
Jimmie Woody is a dynamic director, arts educator & visual artist from Cleveland, Ohio. Some of his most recent directorial credits include: Jitney by August Wilson (Beck Center); Election Day by Lee Chilcote (BorderLight Festival); Brownsville Song/B-Side for Tray (Dobama Theatre); Art of Longing by Lisa Langford (Cleveland Public Theatre); To Kill a Mockingbird by Harper Lee, Clybourne Park by Bruce Norris, and Raisin in the Sun by Lorraine Hansberry (Weathervane Playhouse); Lower Depths by Maxim Gorky and The America Play by Suzan-Lori Parks (University of Akron); The Split Show, How Blood Go, and The Bomb by Lisa Langford (Tri-C, Convergence Continuum & Cleveland Public Theatre); Glass Menagerie by Tennessee Williams, For Colored Girls… by Ntozake Shange, Jitney, Two Trains Running, Gem of the Ocean & Joe Turner’s Come and Gone by August Wilson (Cuyahoga Community College [Tri-C Metro]); 365 Days/365 Plays by Suzan-Lori Parks (Cleveland Public Theatre); MLK Day by Jimmie Woody, The Colored Museum by George C. Wolfe & When the Chickens Came Home to Roost by Laurence Holder (Karamu House); Seedfolks by Paul Fleischman (Tri-C JazzFest Cleveland, Cleveland Public Library, and the Cleveland Botanical Garden); Underground Griots by Natalie Parker & Keith Josef Adkins (Cleveland Public Theatre, The National Black Theatre Festival and Here Café NYC); Wilberforce & Hollis Mugley’s Only Wish by Keith Josef Adkins (Cleveland Public Theatre, The National Black Theatre Festival & New York Hip Hop Festival); The Bacchae of Euripides by Wole Soyinka (Cleveland Public Theatre and Columbia University); Song by Daniel Gray Kontar and InCogNegro by Lisa Langford (Cleveland Public Theatre).
ABOUT TEST FLIGHT
TEST FLIGHT (Part 2)
A New Play Development Program
May 22–June 7, 2025
Test Flight is a multi-week series that showcases new work on its way to full production. This popular event provides local and national artists with the keys to the theatre and opportunity to co-produce original works-in-progress. The series encourages risk-taking and entrepreneurial spirit towards creating.
Recent successes include Showin’ Up Black by Jeanne Madison (Feb. 2025), Our Lady of Common Sorrows (Fall 2023), Alter by Tania Benites (Feb. 2024). Each of these were developed in Test Flight.
